Legend has it that this church stood unfinished and roofless when, on 25
April 1467, the image of the Madonna was miraculously transported there
from its former home in Scutari, Albania. Coming to rest precariously
on a narrow stone ledge in the wall inside the church, the legend
continues, the picture has remained in that position to the present day.
Careful investigations undertaken between 1957 and 1959 for the purpose
of restoration have revealed something of the true origin of the fresco.
The image of the Madonna about 12 inches wide and 17 inches high that
the viewer sees encased in an elaborate glass, metal, and marble
framework is part of a larger fresco that once covered a portion of the
wall now hidden by the baroque shrine altar. Art experts consulted
during the restoration suggest that the fresco, including the image of
the Madonna, is the work of the early fifteenth century artist Gentil da
Fariano. He probably painted his fresco on the wall around the time of
Martin V (1417-1431). At some subsequent date before 1467, the fresco,
so it is surmised on the basis of the evidence, was covered over with
plaster, and on the wall was hung a terracotta image of the Madonna
which was known at Our Mother of Good Counsel.
In their very early endeavors the good friars were ably assisted in
their afforts by the gracious aid of a holy widow, Petruccia di Noccera.
Since her husband's death, this saintly woman, a tertiary of the Order
of Saint Augustine, had devoted herself to the service of the little
church, and great was her distress over the neglected condition in which
the sanctuary of Our Mother of Good Counsel was permitted to remain. To
restore it was the ambition of her life, and so strongly was she drawn
to the undertaking that she felt inspired to sacrifice her home and
moderate income to further this cause. While others might have felt
daunted, Petruccia never once faltered in her hopes. She constantly
reiterated her assurance that the work would be completed because
Almighty God, through the intercession of Saint Augustine and the
Blessed Virgin, would see fit to crown her feeble efforts with unforseen
success.
Petruccia, having lived to see her fondest hopes abundantly realized,
died in 1470, honored by all. The Augustinians who owed so much to this
good tertiary laid her body to rest at the feet of the beloved Madonna,
with an inscription above which told of her share in the great work
accomplished by God at Genazzano.
Our Mother of Good Counsel has been called the Madonna of the popes. In
truth, since the arrival of the picture, there is scarcely a pope who
has not in some way shown great devotion to her. The initial approval
of the devotion to Our Mother of Good Counsel was given by Pope Paul
II. In 1753 Pope Benedict XIV established the Pious Union of Our Lady of
Good Counsel, a spiritual society to which many indulgences were
attached. Pope Pius IX had a personal devotion to Our Mother of Good
Counsel; he made a pilgrimage to Genazzano in 1864.
Thus, for five hundred years, the devotion to Our Mother of Good
Counsel has flourished and grown. Great artists have fashioned rich
copies of the Madonna in canvas, stone, and mosaic. One will find the
picture of Our Mother of Good Counsel in beautiful shrines and in great
cathedrals and churches. Missionaries have carried it to the ends of the
earth, and it has found its way into the humblest of homes throughout
the world.
The feast of Our Mother of Good Counsel is celebrated by the Augustinian Family on 26 April.
SOURCE:
http://www.osa-west.org/ourmotherofgoodcounsel.html
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